"Sheppard: Beata nobis gaudia - 7. Sit laus Patri cum Filio" by John Sheppard, The Tallis Scholars, Peter Phillips was released on October 6, 2023. With Sheppard: Beata nobis gaudia - 7. Sit laus Patri cum Filio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in John Sheppard, The Tallis Scholars, Peter Phillips's "John Sheppard: Missa Cantate" album is number 74 out of 80. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Sheppard: Beata nobis gaudia - 7. Sit laus Patri cum Filio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sheppard: Beata nobis gaudia - 7. Sit laus Patri cum Filio by John Sheppard, The Tallis Scholars, Peter Phillips to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM | ||
Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
Bacco, Bacco | Mattio Rampollini, Capilla Flamenca | F Major | 5 | 7B | 112 BPM | ||
Messa a quattro voci, SV 190: VI. Agnus dei | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Música Religiosa (Vol. I), V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Miserere Nostri (Anónimo / Dufay / Himno De Vísperas) | Jordi Savall | D♭ Major | 3 | 3B | 114 BPM | ||
Three Shakespeare Songs: No. 2, Under the Greenwood Tree | Clive Osgood, Sofia Vokalensemble, Bengt Ollen | D Major | 2 | 10B | 70 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Intemerata Dei mater: I. Intemerata Dei mater | Johannes Ockeghem, Marc-André Hamelin, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 135 BPM | ||
Missa Orbis Factor: IV. Sanctus (1) | Ars Veritas, Schola Cantorum, Jeremy D. Jones, Jakob Patriksson | E Major | 2 | 12B | 115 BPM | ||
Tallis: Absterge Domine - 1. Absterge Domine | Thomas Tallis, The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 95 BPM |
Section: 0.891772985458374
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