Messe in B Minor, BWV 232: No. 26, Agnus Dei - Johann Sebastian Bach, Marc Minkowski, Les Musiciens du Louvre, Nathalie Stutzmann Information

Acousticness: 96%
Danceability: 22%
Energy: 4%
Instrumentalness: 4%
Liveness: 12%
Loudness: 66%
Speechiness: 5%
Valence: 4%
Popularity: 9%
Loudness: -20.694 dB

Summary

"Messe in B Minor, BWV 232: No. 26, Agnus Dei" by Johann Sebastian Bach, Marc Minkowski, Les Musiciens du Louvre, Nathalie Stutzmann was released on December 22, 2008. Since Messe in B Minor, BWV 232: No. 26, Agnus Dei is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 27 in Bach: Messe en Si, BWV 232 by Johann Sebastian Bach, Les Musiciens du Louvre, Marc Minkowski. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Messe in B Minor, BWV 232: No. 26, Agnus Dei's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messe in B Minor, BWV 232: No. 26, Agnus Dei BPM

The tempo marking of Messe in B Minor, BWV 232: No. 26, Agnus Dei by Johann Sebastian Bach, Marc Minkowski, Les Musiciens du Louvre, Nathalie Stutzmann is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Messe in B Minor, BWV 232: No. 26, Agnus Dei Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Johannes-Passion, BWV 245.1: 14. Choral: Petrus, der nicht denkt zurück	Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin	D Major	2	10B	172 BPM
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei	Robert Schumann, Ivan Moravec	F Major	0	7B	130 BPM
Concerto in D Minor, Op.7, No.4: I. Adagio	George Frideric Handel, Academy of Ancient Music, Richard Egarr	D♭ Minor	0	12A	75 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848	Daniel Barenboim	D♭ Major	1	3B	84 BPM
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro	Tomaso Albinoni, I Musici	B♭ Major	2	6B	107 BPM
Nocturne No. 1 in E Flat Major, H.24	John Field, Elizabeth Joy Roe	E♭ Major	0	5B	75 BPM
Capriccio brillant, Op. 22: Andante	Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra	B Major	0	1B	91 BPM
Intermedes de Xerxes: Bourre pour les Basques	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	F♯ Major	1	2B	140 BPM
Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto	Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock	E Major	2	12B	111 BPM
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre	François Couperin, Iddo Bar-Shaï	E Minor	0	9A	76 BPM

ISRC: FRZ130837260
Label: L-M Records/RCA Records

Section: 0.7297999858856201

End: 0.7355163097381592