"Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday:Third Nocturn: II.Aestimatus sum - Factus sum - Posuerunt me" by Tomás Luis de Victoria, The Sixteen, Harry Christophers was released on 1995. The duration of Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday:Third Nocturn: II.Aestimatus sum - Factus sum - Posuerunt me is about 3 minutes long, at 3:03. Based on our data, "Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday:Third Nocturn: II.Aestimatus sum - Factus sum - Posuerunt me" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Victoria Tenebrae responsories by Tomás Luis de Victoria, The Sixteen, Harry Christophers. The song's track number on the album is #17 out of 18 tracks. Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday:Third Nocturn: II.Aestimatus sum - Factus sum - Posuerunt me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday:Third Nocturn: II.Aestimatus sum - Factus sum - Posuerunt me by Tomás Luis de Victoria, The Sixteen, Harry Christophers has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday:Third Nocturn: II.Aestimatus sum - Factus sum - Posuerunt me being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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4 Songs of Love: No. 2, Until the Daybreak | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | F Minor | 0 | 4A | 74 BPM | ||
Christus factus est, WAB 11 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | D Major | 2 | 10B | 116 BPM | ||
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima "Jerusalem, convertere ad Dominum" | Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations | E Major | 3 | 12B | 70 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
Miserere, Op.44: 7. Domine Deus noster-Molto lento. Lento maestoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 163 BPM | ||
Tenebrae Responsories - Matins Responsories for Good Friday: Nocturn II - Tenebrae factae sunt | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Tout par compas, Fol. 12 (Rondeau/Canon) | Baude Cordier, Tetraktys | E Minor | 9 | 9A | 135 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM | ||
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM |
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