Messiah, HWV 56 / Pt. 1: "O Thou That Tellest Good Tidings To Zion"
George Frideric Handel, Anna Reynolds, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner
Ultimate Handel
5:30 January 1, 2007
BPM
167
Key
B♭ Major
Camelot
6B

Embed

Share Link

Messiah, HWV 56 / Pt. 1: "O Thou That Tellest Good Tidings To Zion" - George Frideric Handel, Anna Reynolds, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner Information

Acousticness
92%
Danceability
12%
Energy
16%
Instrumentalness
0%
Liveness
35%
Loudness
74%
Speechiness
3%
Valence
11%
Popularity
Loudness
-15.442 dB

Summary

"Messiah, HWV 56 / Pt. 1: "O Thou That Tellest Good Tidings To Zion"" by George Frideric Handel, Anna Reynolds, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 2007. Messiah, HWV 56 / Pt. 1: "O Thou That Tellest Good Tidings To Zion" is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 104 in the song's album "Ultimate Handel". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. The popularity of Messiah, HWV 56 / Pt. 1: "O Thou That Tellest Good Tidings To Zion" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messiah, HWV 56 / Pt. 1: "O Thou That Tellest Good Tidings To Zion" BPM

With Messiah, HWV 56 / Pt. 1: "O Thou That Tellest Good Tidings To Zion" by George Frideric Handel, Anna Reynolds, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.

Messiah, HWV 56 / Pt. 1: "O Thou That Tellest Good Tidings To Zion" Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre by François Couperin, Iddo Bar-ShaïLa Petite Pince-Sans-Rire: 21ème ordre, 4ème livreFrançois Couperin, Iddo Bar-ShaïE Minor09A76 BPM
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade by Cologne Chamber Orchestra, Georg Philipp TelemannOverture (Suite) In G Minor, TWV 55: G4: VI. GasconnadeCologne Chamber Orchestra, Georg Philipp TelemannG Minor46A146 BPM
Sinfonia in D Major, BWV 1045: I. Allegro by Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-BrühlSinfonia in D Major, BWV 1045: I. AllegroJohann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-BrühlD Major310B98 BPM
Symphony No. 1 in B-Flat Major, Op. 2, Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. AllegroWilliam Boyce, Aradia Ensemble, Kevin MallonA Major211B120 BPM
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio by Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of EnlightenmentBach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. AdagioJohann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of EnlightenmentD♭ Minor112A133 BPM
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement by Marin Marais, Mieneke van der Velden, Glen WilsonPièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. LentementMarin Marais, Mieneke van der Velden, Glen WilsonE♭ Minor02A120 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo by Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaConcerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: LargoArcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaD♭ Major13B118 BPM
Overture to Overture to "A Midsummer Night's Dream", Op. 21: Tempo primoFelix Mendelssohn, John Eliot Gardiner, London Symphony OrchestraE Major012B140 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderatoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE♭ Major15B113 BPM
Symphony No. 2 in A Major, Op. 2, Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. VivaceWilliam Boyce, Aradia Ensemble, Kevin MallonA♭ Major14B187 BPM
ISRC
GBF077640605
Label
L-M Records/RCA Records

Section: 0.6354169845581055

End: 0.6387495994567871