Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn made "Undine: Act I: Dialogue: Verzeiht, wenn ich store, gestrenger Herr (Veit, Hugo, Undine)" available on January 1, 2005. With Undine: Act I: Dialogue: Verzeiht, wenn ich store, gestrenger Herr (Veit, Hugo, Undine) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 7 out of 37. On top of that, United States appears to be the country where this track was created. In terms of popularity, Undine: Act I: Dialogue: Verzeiht, wenn ich store, gestrenger Herr (Veit, Hugo, Undine) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Undine: Act I: Dialogue: Verzeiht, wenn ich store, gestrenger Herr (Veit, Hugo, Undine) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. Andante | Joseph Haydn, European Festival Orchestra, Johann Walter | C Major | 0 | 8B | 126 BPM | ||
Zar und Zimmermann, LoWV 38: "Den hohen Herrscher würdig zu empfangen" | Albert Lortzing, Karl Christian Kohn, Bavarian Radio Chorus, Bamberg Symphony, Hans Gierster, Wolfgang Schubert | C Major | 3 | 8B | 91 BPM | ||
Unter Donner und Blitz, Polka, Op.324 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Major | 6 | 9B | 85 BPM | ||
The Sleeping Emperor | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | B Major | 0 | 1B | 132 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
Pizzicato-Polka | Johann Strauss II, Josef Strauss, Swedish Chamber Orchestra, Thomas Dausgaard | C Major | 0 | 8B | 94 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 9. Variation 8. Presto non troppo | Wilhelm Furtwängler | B♭ Major | 1 | 6B | 88 BPM | ||
La traviata, Act I: "Un dì felice" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 2 | 8B | 118 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM |
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