Wilhelm Furtwängler made "Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 9. Variation 8. Presto non troppo" available on 1949. With Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 9. Variation 8. Presto non troppo being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 10 in Brahms: Variations on a Theme by Haydn, Op.56 by Wilhelm Furtwängler. Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 9. Variation 8. Presto non troppo is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 9. Variation 8. Presto non troppo by Wilhelm Furtwängler is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: IV. Scherzo | Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta | D Major | 1 | 10B | 86 BPM | ||
Valse pour piano, Op. 39, No. 15 | Johannes Brahms, France Clidat | G Minor | 4 | 6A | 80 BPM | ||
Serenade on Old Graz Contredanses, Op. 83b: V. Menuet | Jenő Takács, The Georgian Chamber Orchestra Ingolstadt, Evan Alexis Christ | A Major | 2 | 11B | 103 BPM | ||
L'Arlésienne Suite No. 2: Farandole | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 66 BPM | ||
Relâche, Pt. 1: No. 10, Final | Erik Satie, Ronald Corp, New London Orchestra | D Major | 1 | 10B | 129 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
Flute Concerto, FS 119: II. Allegretto, un poco | Carl Nielsen, Adam Walker, Bergen Philharmonic Orchestra, Edward Gardner | G Major | 1 | 9B | 92 BPM | ||
Symphony No. 1, Op. 11: I. Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Sinfonia Domestica, Op.53, IRS 93: III. Adagio | Richard Strauss, Berliner Philharmoniker, Wilhelm Furtwängler | B♭ Major | 1 | 6B | 84 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM |
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