Ernesto de Curtis, Beniamino Gigli made "Tu sola (Recorded 1921)" available on January 1, 1990. The duration of Tu sola (Recorded 1921) is about 3 minutes long, at 3:12. Based on our data, "Tu sola (Recorded 1921)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Beniamino Gigli's "Gigli Vol. 1 (Recorded1918-1924)" album is number 11 out of 22. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Tu sola (Recorded 1921)'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Tu sola (Recorded 1921) by Ernesto de Curtis, Beniamino Gigli to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Limelight Opening / Terry's Theme (Eternally) / Hurdy Gurdy Waltz | Charlie Chaplin | F Major | 1 | 7B | 91 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Manuel Ausensi, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 3 | 8B | 113 BPM | ||
Radetzky March Op. 228 | Riccardo Muti, Wiener Philharmoniker | A Major | 5 | 11B | 106 BPM | ||
Mamma (Arr. Mancini) | Cesare Andrea Bixio, Luciano Pavarotti, Henry Mancini | G Major | 3 | 9B | 122 BPM | ||
Caruso | Lucio Dalla, Vittorio Grigolo, Pier Giorgio Morandi | F♯ Minor | 1 | 11A | 67 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
Zadok the Priest | Amici forever | D Major | 3 | 10B | 132 BPM | ||
Revaux & François / Arr Schifrin: A Tribute to Hollywood Part 1: My Way | Claude François, Jacques Revaux, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | F Major | 2 | 7B | 134 BPM | ||
La rosa y el sauce | Carlos Antonio Guastavino, Anna Netrebko | F♯ Minor | 1 | 11A | 81 BPM | ||
Funiculì, funiculà | Luigi Denza, Luciano Pavarotti, Anton Guadagno, Orchestra del Teatro Comunale di Bologna | F Major | 3 | 7B | 126 BPM |
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