- BPM
- 81
- Key
- F♯ Minor
- Camelot
- 11A
La rosa y el sauce - Carlos Antonio Guastavino, Anna Netrebko Information
- Acousticness
- 99%
- Danceability
- 20%
- Energy
- 7%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 13%
- Loudness
- -20.007 dB
Summary
"La rosa y el sauce" by Carlos Antonio Guastavino, Anna Netrebko was released on January 1, 2008. The duration of La rosa y el sauce is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. La rosa y el sauce's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Souvenirs". In this album, this song's track order is #16. La rosa y el sauce is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La rosa y el sauce BPM
With La rosa y el sauce by Carlos Antonio Guastavino, Anna Netrebko having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
La rosa y el sauce Key
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | |
 | Cuatro Canciones Coloniales: I. Cuando Acaba De Llover | Carlos Guastavino, León Benarós, Itziar Martinez Galdos, Per Arne Frantzen | D Major | 0 | 10B | 75 BPM | |
 | Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5a, Air et Choeur, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM | |
 | La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | |
 | I Capuleti e i Montecchi, Act I: Eccomi... Oh! quante volte | Vincenzo Bellini, Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 65 BPM | |
 | Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | |
 | La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | |
 | Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM | |
 | Faust, CG 4 / Act III: Chanson du roi de Thule - Air des Bijoux | Charles Gounod, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | E Major | 2 | 12B | 110 BPM | |
 | Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7426614761352539
End: 0.74684739112854