"Limelight Opening / Terry's Theme (Eternally) / Hurdy Gurdy Waltz" by Charlie Chaplin was released on 1952. With Limelight Opening / Terry's Theme (Eternally) / Hurdy Gurdy Waltz being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 15 in Candilejas (Banda Sonora Original) by Charlie Chaplin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Limelight Opening / Terry's Theme (Eternally) / Hurdy Gurdy Waltz is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Limelight Opening / Terry's Theme (Eternally) / Hurdy Gurdy Waltz by Charlie Chaplin is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El murciélago: Obertura | Waldo De Los Ríos | A Major | 5 | 11B | 80 BPM | ||
Intermezzo de cavalleria rusticana - Remasterizado | Luis Cobos | F Major | 1 | 7B | 83 BPM | ||
Theme From Limelight | Gheorghe Zamfir | A Major | 2 | 11B | 85 BPM | ||
Brazil (From "The Eddy Duchin Story”, 1956 Film Score) | Carmen Cavallaro | C Major | 4 | 8B | 133 BPM | ||
Santa Lucia | Italian Mandolin Torna A Surriento | G Major | 4 | 9B | 104 BPM | ||
El barbero de Sevilla, Act I: Largo al factotum | Waldo De Los Ríos | C Major | 8 | 8B | 135 BPM | ||
Love's Last Word Is Spoken | Mario del Monaco | G Major | 3 | 9B | 84 BPM | ||
Arriving At The Ball | James Newton Howard | F Major | 2 | 7B | 104 BPM | ||
Processo | Bruno Nicolai | B Minor | 2 | 10A | 124 BPM | ||
Ojos Negros | Cuerdas y Metales | G Minor | 3 | 6A | 123 BPM |
Section: 0.5120849609375
End: 0.5169956684112549