"Ricercare una melodia (version for cello)" by Jonathan Harvey, Timothy Gill, Sound Intermedia was released on April 1, 2012. Since Ricercare una melodia (version for cello) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jonathan Harvey, Various Artists, David Atherton's "Jonathan Harvey: Bird Concerto with Pianosong" album is number 4 out of 4. Based on our statistics, Ricercare una melodia (version for cello)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ricercare una melodia (version for cello) by Jonathan Harvey, Timothy Gill, Sound Intermedia to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation I | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 2 | 9B | 113 BPM | ||
Jackson Pollock (1950-51) for two Cellos: V Painting on Glass | Morton Feldman, Lucas Fels, Tobias Moster | D Major | 0 | 10B | 154 BPM | ||
Játékok VI, 37b, To Stefánia Mándy (In memoriam Béla Tábor) | György Kurtág, Pedro Alcalde | A Minor | 0 | 8A | 137 BPM | ||
11 Gates: No. 10, Seafloor Meditation (Whispering Mirrors at the Seafloor) | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | F Major | 0 | 7B | 89 BPM | ||
Bhakti: VI. — | Jonathan Harvey, Spectrum, Guy Protheroe | A♭ Major | 1 | 4B | 138 BPM | ||
Métaboles: III. Obsessionnel | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E♭ Major | 1 | 5B | 136 BPM | ||
Volon | Fred Hersch | D♭ Major | 0 | 3B | 64 BPM | ||
C-3 | Pedro Alcalde, Yuval Gotlibovich | B♭ Major | 0 | 6B | 134 BPM | ||
Come Holy Ghost | Jonathan Harvey, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Major | 1 | 6B | 85 BPM |
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