Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia made "Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation I" available on August 10, 2018. With Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation I being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 32 in Bernstein: Symphonies Nos 1-3, Prelude, Fugue & Riffs by Leonard Bernstein, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation I is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation I by Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | B♭ Major | 3 | 6B | 103 BPM | ||
Verdi: Aïda, Act 4: "O terra, addio" (Aida, Radamès, Priests, Priestesses, Amneris,) | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F♯ Major | 0 | 2B | 74 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
5 Piano Pieces Op. 3, TrV 105: No. 2, Allegro vivace. Scherzando | Richard Strauss, Guillaume Bellom | G Minor | 0 | 6A | 68 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
Estampes, L. 100: I. Pagodes | Claude Debussy, Saskia Giorgini | E♭ Minor | 0 | 2A | 80 BPM | ||
12 Études, Op. 10: No. 7 in C Major "Toccata" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 4 | 4A | 78 BPM | ||
24 Preludes, Op. 28: No. 2 in A Minor. Lento | Frédéric Chopin, Lívia Rév | E Minor | 0 | 9A | 70 BPM |
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