"Estampes, L. 100: I. Pagodes" by Claude Debussy, Saskia Giorgini was released on April 19, 2024. With this song being about 5 minutes long, at 5:04, "Estampes, L. 100: I. Pagodes" by Claude Debussy, Saskia Giorgini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Debussy: Estampes, L. 100: I. Pagodes and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Estampes, L. 100: I. Pagodes is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Estampes, L. 100: I. Pagodes by Claude Debussy, Saskia Giorgini is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impression de lièvre | Christian Schittenhelm, Peter Jablonski | G Minor | 2 | 6A | 135 BPM | ||
Lieder ohne Worte I, Op. 19b: No. 4 in A Major. Moderato, MWV U73 | Felix Mendelssohn, Howard Shelley | A Major | 0 | 11B | 68 BPM | ||
38 Waltzes, Ländler and Ecossaises, Op. 18, D.145, Waltzes: No. 10 in B Minor - No. 11 in B Major - No. 12 in E Major | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM | ||
Notturno in G Minor, H-U 337 | Fanny Mendelssohn, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Célia Oneto Bensaid, Debora Waldman, Orchestre National Avignon-Provence | F Minor | 1 | 4A | 116 BPM | ||
Etude, Op. 8, No. 12 in D-Sharp Minor (Pathetique) - Duo-Art 6623 | Alexander Scriabin, Alfred Cortot, Peter Phillips | C Major | 1 | 8B | 71 BPM | ||
Nocturnes, Op. 9: II. Andante (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
Enigma Variations, Op. 36 (Arr. 4 Hands Piano by Whitmore & Manley): Variation 10 (Dorabella) - Duo-Art 0363 Br | Edward Elgar, Peter Phillips, Cuthbert Whitmore, Dorothy Manley | C Major | 2 | 8B | 107 BPM | ||
6 Pieces, Op. 19: Nocturno, Op. 19, No. 4 | Pyotr Ilyich Tchaikovsky, Juan Francisco Otón | F Minor | 0 | 4A | 69 BPM | ||
Suite (Partita) in A Major, BWV 832: III. Sarabande | Johann Sebastian Bach, Angela Hewitt | E Major | 1 | 12B | 61 BPM |
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