Johann Strauss II, Wiener Symphoniker, Wolfgang Sawallisch's 'An der schonen, blauen Donau (The Beautiful Blue Danube), Waltz, Op. 314' came out on July 1, 2016. Since An der schonen, blauen Donau (The Beautiful Blue Danube), Waltz, Op. 314 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Sawallisch's "Johann Strauss Festkonzert" album is number 11 out of 12. Based on our statistics, An der schonen, blauen Donau (The Beautiful Blue Danube), Waltz, Op. 314's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of An der schonen, blauen Donau (The Beautiful Blue Danube), Waltz, Op. 314 by Johann Strauss II, Wiener Symphoniker, Wolfgang Sawallisch to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Aida: Act II: Marcia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | A♭ Major | 1 | 4B | 112 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Scheherazade, Op. 35: The Young Prince And The Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 84 BPM | ||
Elfenreigen | Joseph Hellmesberger, Jr., Christian Thielemann, Wiener Philharmoniker | C Major | 0 | 8B | 137 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
Kleine Chronik, Polka schnell, Op. 128 | Eduard Strauss, Daniel Barenboim, Wiener Philharmoniker | C Major | 5 | 8B | 176 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | D Major | 2 | 10B | 93 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM |
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