"Lasst uns lauschen" by Dresdner Kreuzchor, Roderich Kreile was released on November 27, 2020. The duration of Lasst uns lauschen is about 3 minutes long, at 3:16. Based on our data, "Lasst uns lauschen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 26 in Das große Adventskonzert (Das Studioalbum zum Konzert im Stadion) by Dresdner Kreuzchor. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Lasst uns lauschen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lasst uns lauschen by Dresdner Kreuzchor, Roderich Kreile is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vexilla regis | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique | F Major | 0 | 7B | 82 BPM | ||
Messe Solennelle, Op. 16 - Kyrie | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | D♭ Minor | 2 | 12A | 70 BPM | ||
Wach auf, meins Herzens Schone | Johann Friedrich Reichardt, Dresdner Kreuzchor, Martin Flämig | E Major | 1 | 12B | 129 BPM | ||
Fanfare (Lemmens) | Arturo Sacchetti | D Major | 3 | 10B | 104 BPM | ||
Matthäus-Passion, SWV 479: Beschluss: "Ehre sei dir Christe" - Remastered | Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Martin Flämig | E♭ Major | 1 | 5B | 91 BPM | ||
Matthäus-Passion, SWV 479: "Und er kam zu seinen Jüngern" - Remastered | Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Martin Flämig | E♭ Major | 1 | 5B | 91 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Uber allen Gipfeln ist Ruh | Friedrich Kuhlau, Carl Maria von Weber Men's Choir, Berlin | A Major | 1 | 11B | 177 BPM | ||
Cantate Domino | Claudio Monteverdi, VOCES8 | B♭ Minor | 1 | 3A | 151 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM |
Section: 0.6254093647003174
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