"Ravel: Boléro, M. 81" by Maurice Ravel, Alain Lombard, Orchestre Philharmonique De Strasbourg was released on August 1, 2011. The duration of Ravel: Boléro, M. 81 is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Ravel: Boléro, M. 81's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Olympic Experience". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. The popularity of Ravel: Boléro, M. 81 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ravel: Boléro, M. 81 by Maurice Ravel, Alain Lombard, Orchestre Philharmonique De Strasbourg having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Rapsodie espagnole, M. 54: II. Malagueña | Maurice Ravel, Ensemble Musica Nigella, Takénori Némoto, Pablo Schatzman | B Minor | 5 | 10A | 135 BPM | ||
Frühlingsstimmen, Op. 410 | Johann Strauss II, Wiener Philharmoniker, Clemens Krauss | F♯ Minor | 2 | 11A | 76 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Gaîté parisienne: No. 23: Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D Major | 1 | 10B | 101 BPM | ||
Carmen, WD 31: Prélude | Alain Lombard, Orchestre National Bordeaux Aquitaine | A Major | 5 | 11B | 136 BPM | ||
Berceuse sur le nom de Gabriel Fauré | Maurice Ravel, Chantal Juillet, Pascal Rogé | C Major | 1 | 8B | 80 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325 (RV 325) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 176 BPM | ||
Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM |
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