"Delibes: Lakmé, Act 2: "C'est un rêve, une folie" (Gérald, Chorus, Lakmé)" by Léo Delibes, Charles Burles, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Alain Lombard, Orchestre du Theatre National de IOpera-Comique was released on April 4, 1971. The duration of Delibes: Lakmé, Act 2: "C'est un rêve, une folie" (Gérald, Chorus, Lakmé) is about 3 minutes long, at 3:00. Based on our data, "Delibes: Lakmé, Act 2: "C'est un rêve, une folie" (Gérald, Chorus, Lakmé)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 45 out of 58 in Delibes: Lakmé by Léo Delibes, Mady Mesple, Charles Burles, Orchestre du Théâtre national de l'Opéra-Comique, Alain Lombard. Delibes: Lakmé, Act 2: "C'est un rêve, une folie" (Gérald, Chorus, Lakmé) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Delibes: Lakmé, Act 2: "C'est un rêve, une folie" (Gérald, Chorus, Lakmé) by Léo Delibes, Charles Burles, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Alain Lombard, Orchestre du Theatre National de IOpera-Comique is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Le Corsaire: Act II - "5. Grand Pas: Variation: Medora" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | F Major | 0 | 7B | 77 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
La fille mal gardée (Rev. Lanchbery), Act I: No. 17a, Clog Dance | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 1 | 6A | 130 BPM | ||
Lakmé / Act 2: Lakmé! Lakmé! C'est toi! | Léo Delibes, Dame Joan Sutherland, Alain Vanzo, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | F♯ Major | 1 | 2B | 75 BPM | ||
Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 71 BPM |
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