Ludwig van Beethoven, Gidon Kremer, Martha Argerich's 'Sonata For Violin And Piano No.5 In F, Op.24 - "Spring": 4. Rondo. Allegro ma non troppo' came out on January 1, 1987. Since Sonata For Violin And Piano No.5 In F, Op.24 - "Spring": 4. Rondo. Allegro ma non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 7 in Beethoven: Violin Sonatas Nos.4 & 5 "Spring" by Ludwig van Beethoven, Gidon Kremer, Martha Argerich. Sonata For Violin And Piano No.5 In F, Op.24 - "Spring": 4. Rondo. Allegro ma non troppo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata For Violin And Piano No.5 In F, Op.24 - "Spring": 4. Rondo. Allegro ma non troppo by Ludwig van Beethoven, Gidon Kremer, Martha Argerich is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in D Minor: 2. Intermezzo: Andantino con moto - Allegro presto | Édouard Lalo, Pierre Fournier, Orchestre Lamoureux, Jean Martinon | G Major | 1 | 9B | 85 BPM | ||
Violin Concerto in D Major: II. Aria I | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | D Minor | 1 | 7A | 96 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: III. Recitativo-Fantasia. Ben moderato | César Franck, Renaud Capuçon, Khatia Buniatishvili | D Major | 0 | 10B | 74 BPM | ||
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | C Major | 1 | 8B | 80 BPM | ||
Piano Sonata No. 9 In E Major, Op. 14, No. 1: 3. Rondo (Allegro comodo) | Ludwig van Beethoven, Daniel Barenboim | E Major | 0 | 12B | 169 BPM | ||
Suite for Cello and Orchestra, Op. 16: V. Tarantelle (presto non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 3 | 10B | 94 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 3. Allegro marziale animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | E♭ Major | 3 | 5B | 71 BPM |
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