Charles Camilleri, David Campbell, Susanne Stanzeleit, Julian Jacobson made "Trio for Clarinet, Violin and Piano "New York": II. Second Movement" available on November 16, 2009. With this song being about 5 minutes long, at 4:35, "Trio for Clarinet, Violin and Piano "New York": II. Second Movement" by Charles Camilleri, David Campbell, Susanne Stanzeleit, Julian Jacobson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 27 in Camilleri: Music for Clarinet, Violin and Piano by Charles Camilleri, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Trio for Clarinet, Violin and Piano "New York": II. Second Movement is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Trio for Clarinet, Violin and Piano "New York": II. Second Movement by Charles Camilleri, David Campbell, Susanne Stanzeleit, Julian Jacobson is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne in E-Flat Major | Reynaldo Hahn, Tamsin Waley-Cohen, Huw Watkins | B♭ Major | 0 | 6B | 155 BPM | ||
Quartet for Flute and String Trio No.5 "Alla Turca" in A Major, K.331: I. Andante grazioso | Wolfgang Amadeus Mozart, Trio Quodlibet, Andrea Mogavero | A Major | 0 | 11B | 135 BPM | ||
Preludes, Op. 28: No. 15 in G-Sharp Minor, B. 107 (Arr. for Cello Quartet by Leszek Kołodziejski) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
American Portraits for 2 Clarinets: I. Manhattan Arpeggios | Charles Camilleri, David Campbell, Godfrey Mifsud, Susanne Stanzeleit, Julian Jacobson | D Minor | 0 | 7A | 75 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile | Florence Beatrice Price, Ragazze Quartet | F Major | 2 | 7B | 165 BPM | ||
Malta Suite: II. Waltz | Charles Camilleri, Bournemouth Symphony Orchestra, Brian Schembri | B♭ Major | 0 | 6B | 74 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Transcr. Strauss & Rizikov for Cello and Piano) | Sergei Rachmaninoff, Lisa Strauss, Anastasia Rizikov | F♯ Major | 0 | 2B | 66 BPM | ||
Astralis: III. Constellations | Charles Camilleri, Murray McLachlan | A Major | 0 | 11B | 168 BPM | ||
Les plaisirs démodés (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM |
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