"Bruckner: Symphony No. 3 in D Minor "Wagner Symphony": IV. Finale. Allegro (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987]" by Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra was released on January 1, 1998. Bruckner: Symphony No. 3 in D Minor "Wagner Symphony": IV. Finale. Allegro (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] appears to be safe for all ages as it is not explicit. The song is number 4 out of 4 in Bruckner: Symphony No. 3 (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] by Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bruckner: Symphony No. 3 in D Minor "Wagner Symphony": IV. Finale. Allegro (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bruckner: Symphony No. 3 in D Minor "Wagner Symphony": IV. Finale. Allegro (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] by Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: IV. Finale | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | C Major | 3 | 8B | 145 BPM | ||
Messe F-Moll, WAB 28: I. Kyrie | Anton Bruckner, Hans-Jörg Mammel, Philippe Herreweghe, Joseph Moor, Ingela Bohlin, Alfred Reiter, RIAS Kammerchor, Ingeborg Danz | G Major | 1 | 9B | 81 BPM | ||
Requiem | Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Geoffrey Simon | A Minor | 1 | 8A | 60 BPM | ||
Clarinet Quintet in A Major: Clarinet Quintet in A Major: II. Larghetto | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | D Major | 0 | 10B | 76 BPM | ||
Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: I. Andante con moto | Max Bruch, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | C Major | 1 | 8B | 174 BPM | ||
Chamber Symphony, Op.110a - orch. Barshai: 2. Allegro molto (attacca:) | Dmitri Shostakovich, Chamber Orchestra of Europe, Rudolf Barshai | G Major | 6 | 9B | 103 BPM | ||
Nursery Suite: II. The Serious Doll | Edward Elgar, Paul Goodwin, English Chamber Orchestra, William Bennett | F Major | 0 | 7B | 81 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Alles Vergängliche" | Gustav Mahler, Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | F Minor | 2 | 4A | 114 BPM | ||
Pange Lingua, Gloriosi, WAB 31 | Anton Bruckner, Eugen Jochum, Bavarian Radio Chorus | C Major | 0 | 8B | 61 BPM |
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