"Symphony No. 7, Op. 45 "Sinfonia romantica": II. Semplice" by Kurt Atterberg, Stuttgart Radio Symphony Orchestra, Ari Rasilainen was released on April 17, 2001. Symphony No. 7, Op. 45 "Sinfonia romantica": II. Semplice appears to be safe for all ages as it is not explicit. The song is number 2 out of 7 in Atterberg: Symphonies Nos. 7 & 8 by Kurt Atterberg, Stuttgart Radio Symphony Orchestra, Ari Rasilainen. Symphony No. 7, Op. 45 "Sinfonia romantica": II. Semplice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 7, Op. 45 "Sinfonia romantica": II. Semplice by Kurt Atterberg, Stuttgart Radio Symphony Orchestra, Ari Rasilainen is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les biches Suite, FP 36b: III. Rag-Mazurka | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Suk: Serenade for Strings in E-Flat Major, Op. 6: IV. Allegro giocoso ma non troppo presto | Josef Suk, Christopher Warren-Green, Andrew Shulman, Lyn Fletcher, Roger Chase, Nigel Warren-Green, London Chamber Orchestra | B♭ Major | 2 | 6B | 106 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Piano Concerto in E, Op. 59: III. Scherzo – Vivace | Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern | E Major | 2 | 12B | 81 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Symphony No. 4 in G Minor, Op. 14, "Sinfonia piccola": I. Con forza - Tempo commodo | Kurt Atterberg, Neeme Järvi, Gothenburg Symphony Orchestra, Sara Trobäck Hesselink | G Major | 1 | 9B | 66 BPM |
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