"The Holy Boy" by John Ireland, Richard Hickox, London Symphony Orchestra was released on September 1, 1990. The duration of The Holy Boy is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. The Holy Boy's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Ireland, Richard Hickox, London Symphony Orchestra, Bryn Terfel, Paula Bott, Teresa Shaw, James Oxley, Roderick elms, London Symphony Chorus's "Ireland: Orchestral Works" album is number 4 out of 6. On top of that, United Kingdom appears to be the country where this track was created. The Holy Boy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Holy Boy by John Ireland, Richard Hickox, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 1: No. 1, Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 79 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Main Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 100 BPM | ||
Anakin and Padmé | John Williams, London Symphony Orchestra | F Major | 0 | 7B | 59 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Piano Concerto No. 21 | Wolfgang Amadeus Mozart, HAUSER, Robert Ziegler, London Symphony Orchestra | F Major | 3 | 7B | 177 BPM | ||
The Throne Room and End Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 58 BPM | ||
Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn | A Major | 3 | 11B | 152 BPM |
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