"Bread of the world - Rendez à Dieu" by Ralph Vaughan Williams, The Choir Of Trinity College, Cambridge was released on June 8, 1986. With Bread of the world - Rendez à Dieu being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 24 in A Vaughan Williams Hymnal by Ralph Vaughan Williams, The Choir Of Trinity College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bread of the world - Rendez à Dieu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bread of the world - Rendez à Dieu by Ralph Vaughan Williams, The Choir Of Trinity College, Cambridge is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | B Minor | 1 | 10A | 85 BPM | ||
Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
Vaughan Williams: The Lark Ascending: Opening (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra | B Minor | 1 | 10A | 102 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
Suite from The Victorian Kitchen Garden: III. Mists | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | G Minor | 0 | 6A | 66 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
Nimrod (Lux Aeterna) | Edward Elgar, VOCES8 | D♭ Major | 1 | 3B | 175 BPM |
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