"Five Variants of "Dives and Lazarus"" by Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth was released on January 1, 1994. Five Variants of "Dives and Lazarus" appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Fantasia on a Theme by Thomas Tallis/The Lark Ascending etc. by Ralph Vaughan Williams, Hagai Shaham, New Queen's Hall Orchestra, Barry Wordsworth. The song's track number on the album is #5 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Five Variants of "Dives and Lazarus" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Five Variants of "Dives and Lazarus" by Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Five Variants of "Dives and Lazarus" being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 4, Forlana. Allegretto grazioso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 1 | 2B | 96 BPM | ||
Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo | Slovak Philharmonic, Antonín Dvořák | D♭ Major | 0 | 3B | 77 BPM | ||
Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Lorin Maazel, Pittsburgh Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | ||
Orfeo ed Euridice: Dance of the Blessed Spirits | Christoph Willibald Gluck, Slovak State Philharmonic Orchestra, Johannes Wildner | F Major | 0 | 7B | 138 BPM | ||
The Quiet Land of Erin (arr. T C Kelly) | Traditional, T C Kelly, Geraldine O'Grady, Margaret O'Sullivan, Oonagh Keogh | F♯ Minor | 0 | 11A | 84 BPM | ||
The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | A Minor | 0 | 8A | 83 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM |
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