Gerald Barry, Peter Tantsits, Alan Ewing, Joshua Bloom, Katalin Károlyi, Barbara Hannigan, Birmingham Contemporary Music Group, Thomas Adès's ' "The Importance of Being Earnest, Act III: Lady Bracknell, Who Am I? (Live)" was released on its scheduled release date, November 4, 2014. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 36 out of 37. On top of that, United Kingdom appears to be the country where this track was created. The Importance of Being Earnest, Act III: Lady Bracknell, Who Am I? (Live) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Importance of Being Earnest, Act III: Lady Bracknell, Who Am I? (Live) by Gerald Barry, Peter Tantsits, Alan Ewing, Joshua Bloom, Katalin Károlyi, Barbara Hannigan, Birmingham Contemporary Music Group, Thomas Adès to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | E Major | 0 | 12B | 59 BPM | ||
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | G Major | 2 | 9B | 90 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Romanian Folk Dances, Sz.56: I. Allegro moderato | Béla Bartók, Kurt Nikkanen, Rohan De Silva | A Minor | 0 | 8A | 80 BPM | ||
Trio for Oboe, Bassoon and Piano: 2. Andante | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | C Major | 0 | 8B | 110 BPM | ||
Maya | Ian Clarke, Janos Balint, Ewelina Agata Zawiślak, Kinga Firlej-Kubica | F♯ Minor | 1 | 11A | 134 BPM | ||
St. Paul's Suite Op. 29/2: Finale (The Dargason) | Gustav Holst, Ross Pople | G Major | 1 | 9B | 74 BPM |