"Chausson: Poème, Op. 25" by Ernest Chausson, Vadim Repin, Kent Nagano, London Symphony Orchestra was released on August 22, 2006. Chausson: Poème, Op. 25 appears to be safe for all ages as it is not explicit. There are a total of 109 in the song's album "The Collected Recordings of Vadim Repin". In this album, this song's track order is #108. Furthermore, we believe that the track originated from France. Chausson: Poème, Op. 25 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chausson: Poème, Op. 25 by Ernest Chausson, Vadim Repin, Kent Nagano, London Symphony Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Piano, Trumpet and String orchestra Op. 35 in C Minor: IV. Allegro con brio | Dmitri Shostakovich, Alexander Melnikov, Jeroen Berwaerts, Teodor Currentzis, Mahler Chamber Orchestra | F Major | 3 | 7B | 85 BPM | ||
Nacht und Traume, D. 827 | Franz Schubert, Brigitte Geller, Ulrich Eisenlohr | E♭ Major | 1 | 5B | 102 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Symphony in D Minor, FWV 48: III. Allegro non troppo | César Franck, Ernest Chausson, Jean-Luc Tingaud, Rundfunk-Sinfonieorchester Berlin | B♭ Major | 1 | 6B | 132 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | F Major | 0 | 7B | 79 BPM | ||
Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM | ||
Symphony No. 4 in F Minor, Op. 36: II. Andantino in modo di canzona | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | D♭ Major | 0 | 3B | 85 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM | ||
4 Lieder, Op. 27: 2. Cäcilie | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | E♭ Minor | 3 | 2A | 97 BPM |
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