Rutland Boughton, Jugendorchester Oberthurgau, Martin Sigrist made "Three Folk Dances for String Orchestra, Op. 23d: No. 1, Hornpipe" available on 1993. With Three Folk Dances for String Orchestra, Op. 23d: No. 1, Hornpipe being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Martin Sigrist, Hansjörg Siniker, Hermann Ostendarp's "Jecklin Musiktreffen 1993" album is number 1 out of 18. In terms of popularity, Three Folk Dances for String Orchestra, Op. 23d: No. 1, Hornpipe is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Three Folk Dances for String Orchestra, Op. 23d: No. 1, Hornpipe by Rutland Boughton, Jugendorchester Oberthurgau, Martin Sigrist to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 1: Là, sui monti dell'Est (Coro di ragazzi) | Giacomo Puccini, Wiener Philharmoniker, Herbert von Karajan, Vienna Boys' Choir | A♭ Major | 0 | 4B | 67 BPM | ||
Suite No. 5 in C Minor: V. Air (Arr. for Theremin & Piano) | Johann Mattheson, Clara Rockmore, Nadia Reisenberg | E Minor | 0 | 9A | 90 BPM | ||
A Summer Long Since Passed | Virginia Astley | E Major | 3 | 12B | 111 BPM | ||
Tavener: The Protecting Veil: I. The Protecting Veil | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F Major | 1 | 7B | 80 BPM | ||
O frondens virga (Arr. Missy Mazzoli) | Hildegard von Bingen, Emily D'Angelo, Mikayel Hakhnazaryan | E Minor | 0 | 9A | 86 BPM | ||
Tristan & Isolde: Isoldes Liebestod | Richard Wagner, Edo de Waart | B Major | 1 | 1B | 66 BPM | ||
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
Heroes | Philip Glass, American Composers Orchestra, Dennis Russell Davies | F Minor | 3 | 4A | 73 BPM | ||
Benedictus | Karl Jenkins, Voces8, Christian Forshaw | D Major | 0 | 10B | 72 BPM | ||
Doina Lui Petru Unc | Gheorghe Zamfir | G Major | 2 | 9B | 102 BPM |
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