Johann Sebastian Bach, Sir Malcolm Sargent made "Concerto for 2 Violins, Strings and Continuo in D Minor BWV 1043: I. Vivace - Redbook Stereo" available on 1961. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 9 in Bach: Concerto in D Minor for Two Violins, BWV 1043 - Mozart: Sinfonia concertante in E-Flat Major, K. 364 - Brahms: Concerto in A Minor for Violin and Cello, Op. 102 [(Heifetz Remastered] by Jascha Heifetz, Sir Malcolm Sargent, Izler Solomon, Alfred Wallenstein. In terms of popularity, Concerto for 2 Violins, Strings and Continuo in D Minor BWV 1043: I. Vivace - Redbook Stereo is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto for 2 Violins, Strings and Continuo in D Minor BWV 1043: I. Vivace - Redbook Stereo by Johann Sebastian Bach, Sir Malcolm Sargent is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in B-Flat Major, Kk. 544 | Domenico Scarlatti, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Concert pour 4 parties de violes, H. 545 (Arr. for String Orchestra by Anonymous): I. Prélude | Marc-Antoine Charpentier, Richard Kapp, Philharmonia Virtuosi | D Minor | 3 | 7A | 62 BPM | ||
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM | ||
Concert Caprice on Norwegian Melodies | Johan Halvorsen, Emmanuele Baldini, Leonardo Bock | G Major | 1 | 9B | 100 BPM | ||
Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Raymond Leppard, Andrew Davis, Philip Ledger, Blandine Verlet, English Chamber Orchestra | A Minor | 3 | 8A | 111 BPM | ||
Violin Concerto in E Major, BWV 1042: III. Allegro Assai | Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz | E Major | 3 | 12B | 86 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: III. Adagio | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 103 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM |
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