"Concerto pour sept instruments à vent, timbales, batterie et orchestre à cordes (1949): II Adagietto. Misterioso ed elegante" by Frank Martin, Chamber Orchestra of Europe, Thierry Fischer had its release date on January 1, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Frank Martin, Marieke Blankestijn, Chamber Orchestra of Europe, Thierry Fischer's "Martin: Concerto For 7 Wind Instruments (1949); Polyptyque pour violon solo et deux petits orchestres à cordes (1972-73); Études pour orchestre à cordes (1955-56)" album is number 2 out of 14. In terms of popularity, Concerto pour sept instruments à vent, timbales, batterie et orchestre à cordes (1949): II Adagietto. Misterioso ed elegante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto pour sept instruments à vent, timbales, batterie et orchestre à cordes (1949): II Adagietto. Misterioso ed elegante by Frank Martin, Chamber Orchestra of Europe, Thierry Fischer to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Chansons des roses: No. 2. Contre qui, rose | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | B♭ Minor | 0 | 3A | 77 BPM | ||
Martin: Petite symphonie concertante for Harp, Harpsichord, Piano and Strings, Op. 54: I. Adagio | Frank Martin, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 0 | 8B | 84 BPM | ||
Missa in E-Flat Major, Op. 109: I. Kyrie | Josef Rheinberger, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM | ||
Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
Lux aeterna: 2. In te, domine, speravi | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | G Minor | 0 | 6A | 108 BPM | ||
Songs on One Page, H. 294: No. 1, Rosička | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | A♭ Major | 0 | 4B | 77 BPM | ||
Misa a Buenos Aires "Misatango": Gloria | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | C Minor | 1 | 5A | 92 BPM | ||
Missa solemnis in D major, Op. 123: III. Credo: Amen. Grave | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 1 | 10B | 74 BPM | ||
アヴェマリア(エルガー) 作品2-2 Ave Maria | Girl Choristers, Lay Clerks of Winchester Cathedral, Sarah Baldock Conductor, Andrew Lumsden Organ | B♭ Major | 0 | 6B | 82 BPM | ||
Requiem aeternam I | Herbert Howells, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 80 BPM |