Martin: Petite symphonie concertante for Harp, Harpsichord, Piano and Strings, Op. 54: I. Adagio - Frank Martin, Sir Neville Marriner, Academy of St. Martin in the Fields Information

Acousticness: 88%
Danceability: 9%
Energy: 4%
Instrumentalness: 86%
Liveness: 19%
Loudness: 61%
Speechiness: 4%
Valence: 3%
Popularity: 0%
Loudness: -23.544 dB

Summary

"Martin: Petite symphonie concertante for Harp, Harpsichord, Piano and Strings, Op. 54: I. Adagio" by Frank Martin, Sir Neville Marriner, Academy of St. Martin in the Fields had its release date on February 20, 2009. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Martin: Petite symphonie concertante for Harp, Harpsichord, Piano and Strings, Op. 54: I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Frank Martin, Sir Neville Marriner's "Martin: Orchestral, Choral & Vocal Works." album is number 1 out of 32. Martin: Petite symphonie concertante for Harp, Harpsichord, Piano and Strings, Op. 54: I. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Martin: Petite symphonie concertante for Harp, Harpsichord, Piano and Strings, Op. 54: I. Adagio BPM

We consider the tempo marking of Martin: Petite symphonie concertante for Harp, Harpsichord, Piano and Strings, Op. 54: I. Adagio by Frank Martin, Sir Neville Marriner, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

Martin: Petite symphonie concertante for Harp, Harpsichord, Piano and Strings, Op. 54: I. Adagio Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Morike-Chorliederbuch, Op. 19: Der Feuerreiter	Hugo Distler, Berlin Vocal Ensemble, Bernd Stegmann	D Major	0	10B	81 BPM
Liebeslieder-Walzer, Op. 52: No. 3, O, die Frauen	Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers	D Major	3	10B	124 BPM
Fauré: Les Djinns, Op. 12	Gabriel Fauré, Jean Sourisse, Emmanuel Strosser, Ensemble vocal Audite Nova	A Minor	0	8A	65 BPM
Lux aeterna: 2. In te, domine, speravi	Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt	G Minor	0	6A	108 BPM
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria	Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius	E♭ Major	1	5B	137 BPM
Trois chansons M. 69: II. Trois beaux oiseaux du paradis	Maurice Ravel, Netherlands Chamber Choir	E Major	3	12B	78 BPM
Ballade for tenor saxophone and orchestra - orig. trombone, 1940-1963	Frank Martin, Arno Bornkamp, Ed Spanjaard, Radio Kamer Filharmonie	A Major	2	11B	88 BPM
Onda Perpetua	David Peccas	A♭ Minor	2	1A	170 BPM
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes	Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard	C Major	2	8B	81 BPM
Ambient 9	alexis saudon	B Major	0	1B	140 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records