Hugh Aitken, Jean Hakes, Karl Kraber, Melvin Kaplan, Fortunato Arico, Julius Levine's 'Cantata No. 4: IV. Pegasos, lindos pegasos' came out on January 1, 1998. With Cantata No. 4: IV. Pegasos, lindos pegasos being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hugh Aitken, Various Artists's "Music of Hugh Aitken" album is number 16 out of 20. In terms of popularity, Cantata No. 4: IV. Pegasos, lindos pegasos is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cantata No. 4: IV. Pegasos, lindos pegasos by Hugh Aitken, Jean Hakes, Karl Kraber, Melvin Kaplan, Fortunato Arico, Julius Levine to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
Cello Concerto in C Minor, Op. 21: II. Adagio - | Kurt Atterberg, Truls Mørk, Symphony Orchestra Of Norrlands Opera, Kristjan Järvi | D♭ Major | 1 | 3B | 174 BPM | ||
Schwanengesang, D.957: Ihr Bild | Franz Schubert, Dietrich Fischer-Dieskau, Alfred Brendel | E Major | 0 | 12B | 108 BPM | ||
Bachianas brasileiras No. 8: IV. Fuga | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Minor | 3 | 5A | 65 BPM | ||
Le couvent du Mont Saint Bernard: I. Andante sonnolento | Niccolò Paganini, Wiener Singverein, Mario Hossen, Vienna Classical Players, Martin Kerschbaum | E Major | 5 | 12B | 72 BPM | ||
Fragments from the Film Music: No.26 Ophelia's Madness - From 'Hamlet' | Dmitri Shostakovich, I Solisti Italiani | D♭ Major | 0 | 3B | 99 BPM | ||
Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Amanda Forsyth, Pinchas Zukerman, Canada's National Arts Centre Orchestra | D Major | 1 | 10B | 175 BPM | ||
Verklärte Nacht, Op. 4: Adagio (Takt 229) | Arnold Schoenberg, Orpheus Chamber Orchestra | C Major | 3 | 8B | 168 BPM | ||
Coro a bocca chiusa from Madama Butterfly - Voice | Giacomo Puccini, Plácido Domingo, Renata Scotto, Lorin Maazel | F Major | 1 | 7B | 147 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM |
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