"Fragments from the Film Music: No.26 Ophelia's Madness - From 'Hamlet'" by Dmitri Shostakovich, I Solisti Italiani was released on January 1, 2009. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in I Solisti Italiani's "I Solisti Italiani On Cinema" album is number 24 out of 27. In terms of popularity, Fragments from the Film Music: No.26 Ophelia's Madness - From 'Hamlet' is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fragments from the Film Music: No.26 Ophelia's Madness - From 'Hamlet' by Dmitri Shostakovich, I Solisti Italiani to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Violin Sonata No. 3 in D Minor, Op. 108: IV. Presto agitato | Johannes Brahms, Renaud Capuçon, Nicholas Angelich | G Major | 0 | 9B | 73 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Sir John Barbirolli, London Symphony Orchestra | G Major | 2 | 9B | 82 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Ballet Suite No. 4 (arr. L. Atovmyan): Prelude (Variation) (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | B Minor | 2 | 10A | 77 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Glazunov: Raymonda Suite, Op. 57a : Entracte | Alexander Glazunov, Orchestre Philharmonique de Radio France, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM |
Section: 1.1355493068695068
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