"Noch ist kein Schiff zu seh´n (Tristan und Isolde)" by Jaro Prohaska, Benno Arnold, Erich Zimmermann, Staatskapelle Berlin, Margarete Klose, Paula Buchner, Ludwig Hofmann, Max Lorenz, Felix Fleischer, Eugen Fuchs, Chor Der Staatsoper Berlin was released on August 24, 2006. Noch ist kein Schiff zu seh´n (Tristan und Isolde) appears to be safe for all ages as it is not explicit. There are a total of 30 in the song's album "Tristan und Isolde". In this album, this song's track order is #24. Noch ist kein Schiff zu seh´n (Tristan und Isolde) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Noch ist kein Schiff zu seh´n (Tristan und Isolde) by Jaro Prohaska, Benno Arnold, Erich Zimmermann, Staatskapelle Berlin, Margarete Klose, Paula Buchner, Ludwig Hofmann, Max Lorenz, Felix Fleischer, Eugen Fuchs, Chor Der Staatsoper Berlin having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Prélude | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | B♭ Major | 1 | 6B | 115 BPM | ||
Wagner: Die Meistersinger von Nurnberg: Wahn! Wahn! Uberall wahn! - Act Three | Richard Wagner, Jaro Prohaska, Josef Greindl, Max Lorenz, Maria Müller, Erich Zimmermann, Eugen Fuchs, Benno Arnold, Helmut Fehn, Fritz Krenn, Gerhard Witting, Gustaf Roding, Karl Krollman, Herbert Gosebruch, Franz Sauer, Alfred Dome, Camilla Kallab, Erich Pina, Wilhelm Furtwängler | F Major | 2 | 7B | 84 BPM | ||
Billabong | Danke Timi Briggs | G Minor | 2 | 6A | 150 BPM | ||
Sorochinsky Fair: Gopak | David Measham, West Australian Symphony Orchestra | G Major | 2 | 9B | 116 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, Budapest Strings, Karoly Botvay | F Major | 1 | 7B | 63 BPM | ||
Lohengrin: Act III: Mein lieber Schwan! | Richard Wagner, Franz Völker, Maria Müller, Jaro Prohaska, Josef von Manowarda, Margarete Klose, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Heinz Tietjen | D♭ Major | 3 | 3B | 76 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 2. Larghetto | Sergei Prokofiev, No Borders Orchestra, Premil Petrovic | E Major | 0 | 12B | 76 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 14d, Le printemps | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
The Mill on the Brook, Kinderleben Op.62 No.10 (Theodor Kullak) | The Gerst Ensemble | A Major | 0 | 11B | 77 BPM |
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