Traditional, Sylvain Bergeron, Les Charbonniers De L'enfer, La Nef's 'Petite Galiote (Arr. by Lisa Ornstein and Sylvain Bergeron)' had a release date set for October 5, 2008. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Traditional, Les Charbonniers De L'enfer, La Nef, Sylvain Bergeron, Meredith Hall's "La traverse miraculeuse" album is number 12 out of 12. On top of that, Canada appears to be the country where this track was created. Petite Galiote (Arr. by Lisa Ornstein and Sylvain Bergeron) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Petite Galiote (Arr. by Lisa Ornstein and Sylvain Bergeron) by Traditional, Sylvain Bergeron, Les Charbonniers De L'enfer, La Nef to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Adoramus te, Christe, LV 1083 | Orlande de Lassus, Pro Musica, Szabó Dénes | F Major | 0 | 7B | 70 BPM | ||
The Song called Trumpets | Robert Parsons, The Rose Consort Of Viols | E Major | 0 | 12B | 112 BPM | ||
Kyrie - Rex aeterno | Traditional, Konrad Ruhland, Choralschola of the Niederaltaicher Scholaren | D Major | 0 | 10B | 173 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Magnificent cum Alleluia (Song of Praise) | Nóirín Ní Riain | G Minor | 1 | 6A | 107 BPM | ||
Salve Regina | Traditional, Anna Nord, Anna Pihl Lindén, Symphonia, Ulrika Marklund, Viveca Servatius | D♭ Major | 1 | 3B | 98 BPM | ||
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM | ||
Gloria: Cum Sancto Spiritu | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 121 BPM |