Adelbert von Chamisso, Frank Arnold made "Kapitel 30 - Peter Schlemihls wundersame Reise" available on March 18, 2016. The duration of Kapitel 30 - Peter Schlemihls wundersame Reise is about 3 minutes long, at 3:01. Based on our data, "Kapitel 30 - Peter Schlemihls wundersame Reise" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Peter Schlemihls wundersame Reise (Ungekürzte Lesung)". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Germany. Kapitel 30 - Peter Schlemihls wundersame Reise is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Kapitel 30 - Peter Schlemihls wundersame Reise by Adelbert von Chamisso, Frank Arnold having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Liebesliederwalzer, Op. 52: VIII. Wenn so lind dein Auge mir | Johannes Brahms, Georg Friedrich Daumer, Werner Güra, Konrad Jarnot, Camillo Radicke, Christoph Berner, Stella Doufexis, Marlis Petersen | B Major | 3 | 1B | 90 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: VII. Aria "Ich will alle Stunden zählen" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, William Shelton | E Minor | 1 | 9A | 73 BPM | ||
Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 1 | 12B | 79 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
Laudate pueri, HWV 237: V. Quis sicut Dominus | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Se Florindo è fedele | Alessandro Scarlatti, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
St. Matthew Passion, BWV 244: No. 18. Recitative: Wiewohl mein Herz in Tranen schwimmt (Soprano) | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | C Major | 1 | 8B | 61 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM | ||
49 Deutsche Volkslieder, Book 7, WoO 33: No. 49, Verstohlen geht der Mond auf | Johannes Brahms, Alina Wunderlin, Esther Valentin-Fieguth, Kieran Carrel, Konstantin Ingenpaß, Ulrich Eisenlohr | A Minor | 1 | 8A | 96 BPM |
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