"Sea Murmurs (After. M. Castelnuovo-Tedesco) [Take 2]" by Jascha Heifetz, Mario Castelnuovo-Tedesco, Unknown Artist was released on January 1, 1945. With Sea Murmurs (After. M. Castelnuovo-Tedesco) [Take 2] being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jascha Heifetz, Erich Kleiber, Howard Barlow's "Jascha Heifetz Collection, Vol. 1" album is number 4 out of 19. Based on our statistics, Sea Murmurs (After. M. Castelnuovo-Tedesco) [Take 2]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sea Murmurs (After. M. Castelnuovo-Tedesco) [Take 2] by Jascha Heifetz, Mario Castelnuovo-Tedesco, Unknown Artist to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Csardas (arr. I. Sztankov): Czardas (arr. for double bass and piano) | Iván Sztankov, Vittorio Monti, Erika Tóth | G Minor | 1 | 6A | 80 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
B1 | Unknown Artist | E Minor | 7 | 9A | 121 BPM | ||
Flavio Crispo, Act III: Vieni, ò tosco, e scendi al cor | Johann David Heinichen, Il Gusto Barocco, Unknown Artist, Jörg Halubek | E♭ Major | 0 | 5B | 102 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Cello Sonata in D Minor, Op. 40: II. Allegro | Dmitri Shostakovich, Emanuel Ax, Yo-Yo Ma & The Silk Road Ensemble | E♭ Major | 1 | 5B | 147 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Sorochintsy Fair: Hopak (Arr. For Violin and Piano) | Modest Mussorgsky, Nathan Milstein, Georges Pludermacher | G Major | 2 | 9B | 138 BPM | ||
Hora Staccato | Grigoras Dinicu, Jascha Heifetz | E♭ Major | 4 | 5B | 145 BPM | ||
Flavio Crispo, Act I: Che mia man porti la fede | Johann David Heinichen, Il Gusto Barocco, Unknown Artist, Jörg Halubek | A♭ Minor | 0 | 1A | 106 BPM |
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