"Flavio Crispo, Act I: Che mia man porti la fede" by Johann David Heinichen, Il Gusto Barocco, Unknown Artist, Jörg Halubek was released on March 15, 2019. The duration of Flavio Crispo, Act I: Che mia man porti la fede is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Flavio Crispo, Act I: Che mia man porti la fede's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann David Heinichen, Il Gusto Barocco, Jörg Halubek's "Heinichen: Flavio Crispo" album is number 26 out of 74. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Flavio Crispo, Act I: Che mia man porti la fede is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Flavio Crispo, Act I: Che mia man porti la fede by Johann David Heinichen, Il Gusto Barocco, Unknown Artist, Jörg Halubek to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
Telemann: Concerto for four violins - Allegro | Charivari Agréable | F♯ Major | 1 | 2B | 131 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Laudate pueri Dominum, RV 600: A solis ortu | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | ||
Concerto in F Major, Seibel 233: 1. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 116 BPM | ||
Concerto in D major Seibel 226: 1. Allegro molto | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 122 BPM | ||
La gloria di primavera, Pt. 1: Part I: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | A♭ Major | 1 | 4B | 108 BPM |
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