Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux made "Orfeo: Aria : "Dall'amor più sventurato"" available on 2002. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 11 in Arias for Farinelli by Vivica Genaux, Akademie für Alte Musik Berlin, René Jacobs. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Orfeo: Aria : "Dall'amor più sventurato"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Orfeo: Aria : "Dall'amor più sventurato" by Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lumi, potete piangere | Giovanni Legrenzi, Christina Pluhar | G Minor | 0 | 6A | 86 BPM | ||
Le Pouvoir de l'Amour, Prologue Scène 4: Air pour les jeux et les plaisirs | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 96 BPM | ||
Sonata for Violoncello and Basso continuo F Major: Larghetto | Nicola Porpora, Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés | F♯ Major | 1 | 2B | 115 BPM | ||
Salve Regina, S. 308: No. 6, O clemens | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | D Major | 1 | 10B | 76 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM | ||
Mondonville : In exitu Israel : "Jordanis conversus est retrorsum" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | F Minor | 4 | 4A | 144 BPM | ||
Polifemo, Act III Final scene: Terzetto: La gioia immortal (Galatea, Aci, Ulisse) | Nicola Porpora, Samuel Mariño, Valer Sabadus, Filippo Mineccia, Orchestre de l'Opéra Royal, Stefan Plewniak | D♭ Minor | 3 | 12A | 104 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM |
Section: 0.6842944622039795
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