William Walton, Academy of St. Martin in the Fields, Sir Neville Marriner's '3 Sisters: Dream Sequence' came out on August 1, 1990. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Walton: Film Music, Vol. 2 by William Walton, Academy of St. Martin in the Fields. The song's track number on the album is #15 out of 18 tracks. 3 Sisters: Dream Sequence is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 3 Sisters: Dream Sequence by William Walton, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 3 Sisters: Dream Sequence being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Facade: By The Lake | William Walton, The English Opera Group Ensemble, Dame Edith Sitwell, Sir Peter Pears, Anthony Collins | A Minor | 1 | 8A | 128 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Crown Imperial | English Northern Philharmonia, William Walton | C Major | 3 | 8B | 118 BPM | ||
Le Cygne | Camille Saint-Saëns, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec | G Major | 1 | 9B | 94 BPM | ||
Goldberg Variations, BWV 988: Variation 1 (Arr. for Harp) | Johann Sebastian Bach, Parker Ramsay | C Major | 2 | 8B | 66 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-Tyla | B♭ Major | 1 | 6B | 103 BPM | ||
Walton: Belshazzar's Feast: I. Thus Spake Isaiah | William Walton, Sir Simon Rattle, Cleveland Orchestra Chorus, City of Birmingham Symphony Chorus, Thomas Hampson, City Of Birmingham Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM | ||
Le Carnaval des Animaux, R. 125: 13. Le Cygne | Camille Saint-Saëns, Christopher van Kampen, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | G Major | 0 | 9B | 130 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM |
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