William Walton, The English Opera Group Ensemble, Dame Edith Sitwell, Sir Peter Pears, Anthony Collins made "Facade: By The Lake" available on January 1, 2000. With Facade: By The Lake being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Walton: Facade by William Walton, The English Opera Group Ensemble, Anthony Collins, Dame Edith Sitwell, Sir Peter Pears. The song's track number on the album is #11 out of 21 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Facade: By The Lake's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Facade: By The Lake by William Walton, The English Opera Group Ensemble, Dame Edith Sitwell, Sir Peter Pears, Anthony Collins has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Facade: By The Lake being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | ||
English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 87 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
4 Postludes for Piano & String Orchestra: No. 1. Larghetto - Andante | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | C Major | 0 | 8B | 95 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
8 Russian Folk Songs: 6. Cradle Song | Anatoly Lyadov, Shalom Ronly-Riklis, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 82 BPM | ||
Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 141 BPM |
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