Paul Hindemith, Clara Haskil, Symphonieorchester des Bayerischen Rundfunks's 'Theme & Variations "The 4 Temperaments": Var. 1, Melancholisch' came out on January 1, 2016. Theme & Variations "The 4 Temperaments": Var. 1, Melancholisch is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The track order of this song in Symphonieorchester des Bayerischen Rundfunks, Paul Hindemith's "Hindemith: Symphony in B-Flat Major & The 4 Temperaments - Berg: Chamber Concerto" album is number 5 out of 11. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Theme & Variations "The 4 Temperaments": Var. 1, Melancholisch is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Theme & Variations "The 4 Temperaments": Var. 1, Melancholisch by Paul Hindemith, Clara Haskil, Symphonieorchester des Bayerischen Rundfunks to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in E, Op. 59: III. Scherzo – Vivace | Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern | E Major | 2 | 12B | 81 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Oboe Sonata, FP 185: Deploration: Tres calme | Francis Poulenc, Olivier Doise, Alexandre Tharaud | D Minor | 2 | 7A | 66 BPM | ||
Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Lullaby | Rebecca Clarke, Philip Dukes, Sophia Rahman | D Minor | 0 | 7A | 136 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Piano Concerto No. 1, BB 91, Sz. 83: I. Allegro moderato - Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | G Major | 3 | 9B | 124 BPM | ||
Debussy: Épigraphes antiques, CD 139, L. 131: No. 1, Pour invoquer Pan, dieu du vent d'été (Arr. Lenski for Flute and Piano) | Claude Debussy, Emmanuel Pahud, Stephen Kovacevich | F♯ Major | 0 | 2B | 113 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 33: I. Allegro | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 2 | 9B | 90 BPM |
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