"Eugene Onegin (Act 1, Scene 2, continued): Duet; Tatyana: "Oh, the night has passed..."" by Pyotr Ilyich Tchaikovsky, Sofia Festival Orchestra, Emil Tchakarov was released on 1990. Eugene Onegin (Act 1, Scene 2, continued): Duet; Tatyana: "Oh, the night has passed..." is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. There are a total of 23 in the song's album "Tchaikovsky: Eugene Onegin". In this album, this song's track order is #11. In terms of popularity, Eugene Onegin (Act 1, Scene 2, continued): Duet; Tatyana: "Oh, the night has passed..." is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin (Act 1, Scene 2, continued): Duet; Tatyana: "Oh, the night has passed..." by Pyotr Ilyich Tchaikovsky, Sofia Festival Orchestra, Emil Tchakarov having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 3 in D Minor, Op. 27 "Ballade" | Eugène Ysaÿe, Maxim Vengerov | G Minor | 1 | 6A | 141 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Winter (L'Inverno) Op.8 No.4 F Minor: Allegro | Baroque Festival Orchestra, Alberto Lizzio | F Minor | 0 | 4A | 153 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 87 BPM |
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