"Nabucco: Pt. III: The Prophecy: Finale. In the darkness I see all the future (Zachariah, Chorus) [Sung in English]" by Giuseppe Verdi, Alan Opie, Orchestra of Opera North, David Parry, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus was released on January 1, 2006. The duration of Nabucco: Pt. III: The Prophecy: Finale. In the darkness I see all the future (Zachariah, Chorus) [Sung in English] is about 3 minutes long, at 3:15. Based on our data, "Nabucco: Pt. III: The Prophecy: Finale. In the darkness I see all the future (Zachariah, Chorus) [Sung in English]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Nabucco (Sung in English) by Giuseppe Verdi, Alan Opie. The song's track number on the album is #9 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Nabucco: Pt. III: The Prophecy: Finale. In the darkness I see all the future (Zachariah, Chorus) [Sung in English] is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nabucco: Pt. III: The Prophecy: Finale. In the darkness I see all the future (Zachariah, Chorus) [Sung in English] by Giuseppe Verdi, Alan Opie, Orchestra of Opera North, David Parry, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Nabucco: Pt. III: The Prophecy: Finale. In the darkness I see all the future (Zachariah, Chorus) [Sung in English] being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Madama Butterfly, Act I: Quanto cielo!....Ancora un passo or via (Coro/Butterfly/Sharpless) - 1986 Remastered Version | Giacomo Puccini, Renata Scotto, Rolando Panerai, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gianni Lazzari, Sir John Barbirolli | F♯ Major | 2 | 2B | 87 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Les Contes d'Hoffmann / Act 2: "Les oiseaux dans la charmille" | Jacques Offenbach, Edita Gruberova, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | A♭ Major | 1 | 4B | 178 BPM | ||
Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM | ||
La traviata*: Act I: Brindisi: Libiamo ne'lieti calici, "Drinking Song" (Alfredo, Chorus, Violetta) | Giuseppe Verdi, Monika Krause, Rannveig Braga, Ivica Neshybova, Yordy Ramiro, Georg Tichy, Peter Oswald, Pavol Maurery, Ladislav Neshyba, Jozef Spacek, Peter Subert, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 1 | 6B | 69 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I | Renata Tebaldi | C Major | 1 | 8B | 100 BPM | ||
Carmen, Act I, No.2 : Scène et Choeur: Sur la place, chacun passe, chacun vient, chacun va (Moralès/Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 107 BPM | ||
La Traviata / Act 2: "Alfredo?" - "Per Parigi or or partiva" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Walter Gullino, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | C Major | 1 | 8B | 173 BPM |
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