"Dumka No. 2, H. 250" by Bohuslav Martinů, Lara Downes was released on February 5, 2013. The duration of Dumka No. 2, H. 250 is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Dumka No. 2, H. 250's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 21 in Exiles' Cafe by Lara Downes. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Dumka No. 2, H. 250 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dumka No. 2, H. 250 by Bohuslav Martinů, Lara Downes is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
Tippett: Concerto for Double String Orchestra: II. Adagio cantabile | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 76 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
Pavane, Op. 50 (Version for Orchestra) | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | F♯ Minor | 0 | 11A | 70 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra | E Minor | 0 | 9A | 101 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
3 American Pieces (Version for Violin & Orchestra): No. 1, Early Song | Lukas Foss, Nikki Chooi, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Šíma | E♭ Major | 1 | 5B | 73 BPM | ||
Film en miniature, H. 148: II. Scherzo | Bohuslav Martinů, Giorgio Koukl | F Major | 0 | 7B | 77 BPM | ||
25 Études faciles et progressives, Op. 100: No. 12, Adieu | Franz Burgmüller, The Gerst Ensemble | A Minor | 0 | 8A | 72 BPM |
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