Haydn Wood's 'Sea Shanties' came out on December 29, 2017. The duration of Sea Shanties is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Sea Shanties's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 1930s Orchestral, Vol. 3, so we believe that "Sea Shanties" is a single. Based on our statistics, Sea Shanties's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sea Shanties by Haydn Wood is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Evening Song | Haydn Wood, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 1 | 11B | 74 BPM | ||
Horse Guards Whitehall (From 'London Landmarks' Suite) | Haydn Wood, Orchestre Raymonde, Robert Preston, BBC Variety Orchestra, Charles Williams Concert Orchestra, Debroy Somers Band, Light Symphony Orchestra, London Palladium Orchestra, New Concert Orchestra, Peter Yorke Concert Orchestra, Queen's Hall Light Orchestra | F Major | 4 | 7B | 155 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
English Dances, Set 2, Op. 33: No. 2. Con brio | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | C Major | 4 | 8B | 142 BPM | ||
Rachmaninoff Fantasia | Liberace with Paul Weston and His Orchestra, Liberace, Paul Weston And His Orchestra | D Major | 1 | 10B | 83 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM | ||
Warsaw Concerto | Richard Addinsell, Cristina Ortiz, Royal Philharmonic Orchestra, Moshe Atzmon | B Major | 1 | 1B | 74 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM |
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