Hugo Wolf, Ian Bostridge, Antonio Pappano made "Eichendorff Lieder: Der Musikant" available on July 10, 2006. With Eichendorff Lieder: Der Musikant being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wolf: Lieder by Hugo Wolf, Ian Bostridge. The song's track number on the album is #1 out of 24 tracks. Eichendorff Lieder: Der Musikant is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Eichendorff Lieder: Der Musikant by Hugo Wolf, Ian Bostridge, Antonio Pappano has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Eichendorff Lieder: Der Musikant being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | F Minor | 2 | 4A | 69 BPM | ||
An die ferne Geliebte, Op. 98: No. 2, Wo die Berge so blau | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Jörg Demus | E Major | 0 | 12B | 138 BPM | ||
6 Gedichte, Op. 14: No. 1, Was weinst du, meine Geige? | Ernst von Dohnányi, Victor Heindl, Mélanie Adami, Judit Polgar | A♭ Major | 1 | 4B | 142 BPM | ||
The Folly of Desire: Ganymede II | Brad Mehldau, Ian Bostridge | B♭ Major | 1 | 6B | 133 BPM | ||
V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein | Alexander von Zemlinsky, Hanna-Elisabeth Müller, Juliane Ruf | G Major | 0 | 9B | 105 BPM | ||
Six Lieder, Op.13: 1. Ich stand in dunklen Träumen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 68 BPM | ||
Gia la notte s'avvicina | Isabella Colbran, Maria Chiara Pizzoli, Marianne Gubri | D Major | 1 | 10B | 85 BPM | ||
3 Poèmes de Stéphane Mallarmé, M. 64: No. 2, Placet futile | Maurice Ravel, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM |
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