Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman's 'From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration' came out on January 15, 2021. The duration of From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration is about 3 minutes long, at 3:13. Based on our data, "From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 20 in Elgar: From the Bavarian Highlands, Op. 27 & Partsongs by Edward Elgar, Bavarian Radio Chorus, Howard Arman. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration by Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Stabat Mater: O quam tristis et afflicta | Zuzanna Koziej, Agnieszka Frankow-Zelazny, NFM Choir | E Minor | 4 | 9A | 200 BPM | ||
Reincarnations: Mary Hynes, Op. 16, No. 1 | Samuel Barber, Conspirare, Craig Hella Johnson | F Major | 1 | 7B | 107 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 128 BPM | ||
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
In stiller Nacht | Johannes Brahms, Dresdner Kreuzchor, Rudolf Mauersberger | D Major | 0 | 10B | 90 BPM | ||
Charpentier: Te Deum, H. 146: VIII. Te ergo quaesumus | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Sacred Heart (Ubi Caritas III) | Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan | F♯ Major | 4 | 2B | 123 BPM |
Section: 0.629955530166626
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