"Chorus from the opera 'Irmelin', Act 1 (1890-2)" by The Elysian Singers of London / Matthew Greenall was released on 1992. With Chorus from the opera 'Irmelin', Act 1 (1890-2) being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 20 in Delius: The Complete Part Songs by The Elysian Singers of London / Matthew Greenall. Chorus from the opera 'Irmelin', Act 1 (1890-2) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chorus from the opera 'Irmelin', Act 1 (1890-2) by The Elysian Singers of London / Matthew Greenall is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloriosa dicta sunt | Carl Martin Reinthaler, Vytautas Miskinis, Jugendkantorei Des Wurzener Domes, Johannes Dickert | D Major | 1 | 10B | 107 BPM | ||
Sanctus Domine | Christian Chants, Gregorian Chants, Gregorian Chant | C Major | 1 | 8B | 66 BPM | ||
Chorus from 'Appalachia' (1902) | The Elysian Singers of London / Matthew Greenall | D Major | 1 | 10B | 61 BPM | ||
Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
Missa ex B: XIV. Qui propter nos homines - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | D♭ Major | 2 | 3B | 113 BPM | ||
Like a Darling: No. 2, Someone Not There Now | Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey | B♭ Minor | 0 | 3A | 78 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Missa Veni Domine: IIb. Qui tollis peccata mundi, miserere | Filipe de Magalhães, Cupertinos, Luís Toscano | F♯ Minor | 2 | 11A | 94 BPM | ||
Harmony of Angels | LeoRoads | E Minor | 2 | 9A | 130 BPM | ||
Lorca Suite, Op.72: I. Canción de jinete (The Rider) | Einojuhani Rautavaara, Estonian Philharmonic Chamber Choir, Paul Hillier | A Minor | 1 | 8A | 60 BPM |
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