Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl made "Missa ex B: XIV. Qui propter nos homines - Live at Melk Abbey, 5/30/2004" available on April 19, 2024. With Missa ex B: XIV. Qui propter nos homines - Live at Melk Abbey, 5/30/2004 being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 29 in Biber: Missa ex B (Live at Melk Abbey, 5/30/2004) by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Missa ex B: XIV. Qui propter nos homines - Live at Melk Abbey, 5/30/2004 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Missa ex B: XIV. Qui propter nos homines - Live at Melk Abbey, 5/30/2004 by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lead Me On | Brian A. Schmidt, Westminster Williamson Voices, James Jordan | E Major | 1 | 12B | 94 BPM | ||
Mystery (Rosary) Sonata No. 14, "The Assumption of the Virgin": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Major | 1 | 3B | 99 BPM | ||
Requiem Novum: VII. Eternal Rest | Mårten Jansson, Anna Dennis, Barnaby Smith, Philharmonia Orchestra | F Major | 3 | 7B | 69 BPM | ||
Modimo, reboka Wena - Directed by John Woodland | University of Cape Town Choir | F♯ Minor | 2 | 11A | 120 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Francis Poulenc: Quem vidistis pastores | Lumen Valo | B Minor | 1 | 10A | 131 BPM | ||
4 Songs of Love: No. 4, His Left Hand | Sven-David Sandström, State Choir Latvija, Māris Sirmais | B Minor | 6 | 10A | 112 BPM | ||
Like a Darling: No. 1, I Break This Toast | Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey | F♯ Major | 0 | 2B | 177 BPM |
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