"Like a Darling: No. 2, Someone Not There Now" by Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey was released on September 6, 2019. The duration of Like a Darling: No. 2, Someone Not There Now is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Like a Darling: No. 2, Someone Not There Now's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 21 in Empowering Silenced Voices by Chorosynthesis Singers, Jeremiah Selvey, Wendy K. Moy. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Like a Darling: No. 2, Someone Not There Now is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Like a Darling: No. 2, Someone Not There Now by Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
3 Chansons de Charles d'Orleans: Trois Chansons de Charles d'Orleans: Dieu! Qu'il la fait bon regarder! | Claude Debussy, Stephen Ralls, Tafelmusik Chamber Choir | A♭ Minor | 0 | 1A | 76 BPM | ||
Snider: Mass for the Endangered: Kyrie | Sarah Kirkland Snider, Gallicantus, Gabriel Crouch | F♯ Minor | 1 | 11A | 78 BPM | ||
Un beau baiser | Louis Andriessen, Ars Nova Copenhagen, Paul Hillier | D Major | 0 | 10B | 139 BPM | ||
Requiem, Op. 33b | Jón Leifs, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A♭ Major | 0 | 4B | 140 BPM | ||
Klusas dziemas (silent songs): II. Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
All-night Vigil, Op. 37, "Vespers": Hymn of Resurrection: We have seen the resurrection | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 85 BPM | ||
Like a Darling: No. 2, Someone Not There Now | Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey | B♭ Minor | 0 | 3A | 78 BPM | ||
Rachmaninov: Vespers, Op. 37: II. Blagoslovi, dushe moya | Sergei Rachmaninoff, Swedish Radio Choir, Malena Emman, Tõnu Kaljuste | C Major | 0 | 8B | 71 BPM | ||
He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 73 BPM |
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