"All-night Vigil, Op. 37, "Vespers": Hymn of Resurrection: We have seen the resurrection" by Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava was released on November 1, 2012. The duration of All-night Vigil, Op. 37, "Vespers": Hymn of Resurrection: We have seen the resurrection is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. All-night Vigil, Op. 37, "Vespers": Hymn of Resurrection: We have seen the resurrection's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rachmaninov: All-night Vigil, "Vespers"". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Finland. All-night Vigil, Op. 37, "Vespers": Hymn of Resurrection: We have seen the resurrection is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All-night Vigil, Op. 37, "Vespers": Hymn of Resurrection: We have seen the resurrection by Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
the little match girl passion: in an old apron | David Lang, Theatre Of Voices, Paul Hillier | C Minor | 0 | 5A | 102 BPM | ||
The House of Life: Silent Noon | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Simon Keenlyside, Duke Quartet | G Major | 1 | 9B | 92 BPM | ||
Requiem canticorum: Pie Jesu | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 0 | 5B | 93 BPM | ||
Messe vidi turbam magnam: No. 3, Gloria | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 100 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 6, The Inexpressible Miracle | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 0 | 4B | 77 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Liturgy of St. John Chrysostom for Chorus, Op. 31: I. "The Great Ektenia..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM | ||
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM |
Section: 0.6311070919036865
End: 0.6364295482635498